This book is bargain priced from 06/02/2014 until 06/09/2014
In this evocative and entertaining fictional memoir, nineteen-year-old Dan Hennessey takes us on a journey to the epicenter of the beat movement — San Francisco 1956, the year of Howl and The Dharma Bums. As he gets swept up in the fervor of the San Francisco Renaissance, he meets cultural icons such as Allen Ginsberg and Jack Kerouac, and spiritual figures like Alan Watts and Jiddu Krishnamurti, each of whom serves as a catalyst for his awakening. But the man who becomes his spiritual and musical mentor, the man the poet Gary Snyder called the jazz master, is a tenor saxophonist, ex-Zen monk who teaches him Zen through the art of jazz. Filled with reflections on art, society, and spiritual life, The Jazz Master is both a tale of spiritual awakening and a portrait of a unique and colorful era that paved the way for the revolutionary changes of the sixties and seventies.
Targeted Age Group: 12 and up
Book Price: 0.99
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How is Writing In Your Genre Different from Others?
My book is listed under Visionary and Metaphysical. To write in this genre requires deep personal experience, not just literary talent but spiritual insight.
What Advice Would You Give Aspiring Writers?
The same that most writers give: read deeply, write constantly, and be passionate about your writing; money is not the goal.
What Inspired You to Write Your Book?
My background in jazz, my fascination with the beat generation and the influence they had on the cultural explosion of the sixties, and my interest in Zen, which inspired me to start meditating in the mid-seventies.
About the Author:
I was born in New York in 1956 but grew up in Massachusetts in a Puerto Rican family, a nice little cross-blending of cultures, and enjoyed the rare gift of a happy childhood—short on drama but long on entertainment. Things really got interesting, however, at the beginning of my second year of college when I was initiated into yogic meditation. I was an eighteen-year-old psych major in a prestigious university, but from the moment I learned meditation all I really wanted to be was a yogi. When the school year finished, I freaked out my parents by selling everything I owned except my guitar and boarded a cross-country bus for a three-month intensive training in yogic practice (all things considered, they we’re pretty cool about it). When I was twenty I went to India to meet my guru, Shrii Shrii Anandamurti, and that sealed the deal. Since then I’ve spent my life hanging out with saints and yogis and doing my best to navigate the spiritual path. Exactly how much of their luster has rubbed off is debatable, but it’s been a fascinating journey that has brought me into contact with some of the greatest spiritual teachers of our time and an endless parade of colorful characters in search of enlightenment, enough to people my novels for the next several lifetimes.
Along the way I’ve taught yoga and meditation in at least six different languages on four different continents, worked as a street musician in Europe and Asia, and even posed as an English teacher for a year when I was finishing up my MFA in the early nineties, but eventually I settled into my version of the writer’s life: half the year on my farm in Puerto Rico and the other half on my farm in Brazil, giving the occasional seminar and hosting spiritual retreats but mostly mining my imagination for the stories that have taken up residence there over the years, dramatic reenactments of our collective journey toward the awakening of consciousness. I’ve had several characters in my stories tell me that literature can be a real service to humanity. I hope they’re right. The only way I can justify spending all this time in front of a computer, wandering through the shifting landscapes of my imagination, is by taking it on faith that my books can make a difference in people’s lives, that in some small way they can help to spark the flowering of consciousness that is the real story of our race. If they can do that then nothing could make me happier. That’s what I’m here for.
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