The first three episodes are free.
Morgan is a dreamer, change maker and art lover. She is a feisty, slightly preachy, romantic feminist full of contradictions and insecurities. Morgan uncovers a world where women have the power, and where magic is no longer just a figment of her wild imagination. Sounds like a dream, but it may, in fact, turn into a nightmare.
The world of the Ahe’ey challenges and subverts her views about gender, genes, and nature versus nurture.
The strong and uninvited chemistry between her and the dashing Gabriel makes matters even more complicated. His stunning looks keep short-circuiting her rational mind.
QUOTES – EPISODE 1:
“She believed in magic—the magic of places, the magic of people, the magic of coincidences, serendipity, and fortune. She enjoyed wandering through the world with the open mind and curiosity of a four-year-old child. In her world the mystical, mythical, and magical inhabited the same space and time as the ordinary and the practical. At Bethesda Terrace, she always felt close to a source of magic and creativity. It was as if she were tapping into the place where dragons, angels, gods, sorceresses, and demons came to life.”
“the pursuit and preservation of purity can drive prejudice and hate. Many crimes against humanity have been committed in its name. Purity is best applied to water.”
“Like the bronze statue of the Angel of the Waters, those who pursue perfection find themselves paralysed by the possibility of flaw, fault or failure.”
“She killed him instantly. The young woman plunged her hand into his wound and licked the blood. Once again, she dipped her hand into the blood and used four fingers to paint stripes on her face. Sky’s defiant eyes locked on Iblis.”
“Away from the Sacred House, from his family, and from the comforts and privileges of the royal apparatus, the boy relied only on himself and on the few Ange’el that watched over them. The densest and most remote valley of the Ahe’ey forest was now their home—a haven from the devastating war that ravaged the land.”
EDITORIAL REVIEWS – COMPLETE SERIES
“In this romantic tale, a champion of women’s empowerment stumbles on a hidden–and seemingly perfect–society. A bracing mix of emotionally and intellectually honest fantasy.” – Kirkus Reviews
“A compelling and creative work of paranormal romance. Le Fey takes her characters to places seldomly seen in fantasy fiction that readers will find empowering and prescient. Ahe’ey is a fairly polarizing book. As an example of feminist fantasy fiction, you won’t find much better than this. Ahe’ey is an impressively thought-out story, with many original touches and a fairy-like romance that will deeply satisfy readers of the genre.” Self-Publishing Review, ★★★★
“This book is a thoughtful look at empowerment for women. At the same time, it’s a rollicking trip into a fantasy world complete with dragons, love and strength, and ideas that really get you thinking. This book is highly recommended for all ages.” – HUGEOrange
“They’re flawed, real, and honest characters that can be easily related to. Ahe’ey is the kind of novel society needs to read, to create inspiration and to make people think. Ahe’ey is daring, complex, and honest. A must-read novel that tackles heavy and real topics with a mix of serious and humorous, charm and tragedy.” – Reader’s Favorite – ★★★★★
“Ahe’ey contains a richly imagined world that raises complicated and timely questions about our own. Jamie Le Fay’s Ahe’ey is an action-packed love story that puts forth a nuanced vision of gender stereotypes, body politics, and the dark side of seeking perfection.” – Foreword Clarion – ★★★★
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About the Author
From as young as I can remember, I have soothed myself to sleep by imagining epic stories of heroes, heroines, sorceresses, dragons, angels, and demons. I based my stories on the books and movies I was watching and the narratives that moved and inspired me.
I was as excited and delighted with Pride and Prejudice and Jane Eyre as I was with Battlestar Galactica (the original TV series). The Mists of Avalon, an Arthurian legend retelling from the point of view of the female characters, had as much effect on me as Cosmos by Carl Sagan.
I imagined myself occupying the boots of the hero as much as I occupied the glass slippers of the damsel in distress. The first one was what I wanted to be; the second was what society wanted me to be, and I believed them, for a little while.
I am fascinated by my inner world when it comes to associating myself with the male hero. From childhood, I wanted to be him and marry him. He was my role model, the courageous, honourable, virtuous, humble, and sometimes conflicted hero that is so well expressed in Aragorn, Darcy, or Apollo from the original Galactica. I never had time for bad boys. I was always mesmerised by stories of brotherhood: two men that would honour and risk their lives for each other. How I wished at the time to see women portrayed in the same way.
My relationship with female characters was more complex, possibly reflecting my relationship with myself and mirroring the bare, deserted female landscape provided by the media at the time. My youth and my inner world were most influenced by Zimmer Bradley's Morgaine Le Fay, the underdog, the magician, and the misunderstood and undervalued priestess of my childhood who painted a vivid picture that the world does not welcome powerful women, that they are rejected, vilified, and unloved. She was the character that made me want to be the powerful dark-haired, average-looking sorceress instead of the beautiful blond girl who got to marry the king.
As I grew into adulthood and discovered quite late in my life the welcoming arms of the feminist movement, I went through all stages of grief, including rage. Fortunately, rage does not last long in the body of a creative optimist.
As I gained the courage to write my own fiction, I was conflicted. I knew my imagination and power came from my truth, but I also knew I needed to honour the millions of voices that are screaming for better representation of minorities. I am one of those voices, dissecting each new book and movie, criticising the stereotypes, the common places, and the limiting depictions of gender, race, and sexuality.
This book was a great teacher that opened my eyes about how difficult it is to write engaging fiction and do justice to the people of the world. Can a Western, Caucasian, European woman really do justice to diversity beyond gender? Can she avoid creating stereotypical villains and heroes?
In the end, I have done my best to honour the world while being true to myself and to the characters and stories that inspire me. To be able to pour my heart out, I had to let go of what I should be feeling and writing. I had to embrace my flaws and my inner demons.
So that is all, what is left is a book that fully embraces everything I love: feminism, romance, friendships, social justice, environment, science, magic, and art. I found a big old pot, put in a few archetypes that have inspired people from the beginning of times, and mixed in the story lines and characters that have touched me throughout my life. I seasoned it all well with social consciousness and the life lessons that have made me grow as a human being. I fully embraced my geekiness and my romantic heart. I have submitted to my, sometimes overwhelming, idealism–the idealism that keeps my fire burning and gave me the courage to write Ahe'ey.
Jamie Le Fay is the author of Ahe'ey based in Sydney, Australia. She is an accomplished writer and speaker that focuses mainly on topics related to gender equality, and the misrepresentation of minorities in media and marketing.
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