This book is bargain priced from 09/13/2014 until 09/13/2014
Secrets, passion, betrayal…
Written with passionate conviction, this story is being recorded by two of its characters: Ben, a twenty-seven years old student, and Anita, a plain-spoken, spunky, uneducated redhead, freshly married to Lenny, his aging father. Behind his back, Ben and Anita find themselves increasingly drawn to each other. They take turns using an old tape recorder to express their most intimate thoughts, not realizing at first that their voices are being captured by him.
Meanwhile, Lenny is trying to keep a secret from both of them: his ex-wife, Ben’s mother, a talented pianist, has been stricken with an early-onset alzheimer. Taking care of her gradually weighs him down.
What emerges in these characters is a struggle, a desperate, daring struggle to find a path out of conflicts, out of isolation, from guilt to forgiveness.
These tapes hold the secret of the story. As one of the characters concludes, “I wish I could be more confident of its veracity and completeness. I wish I could do more. This, I suppose, is the nature of the quest for truth–even if it is truth in fiction.”
Where does the title, Apart From Love, come from?
The word Love is used sparingly in the novel, which makes it ever more precious. The title comes from a phrase used three times in the story:
After a while I whispered, like, “Just say something to me. Anything.” And I thought, Any other word apart from Love, ’cause that word is diluted, and no one knows what it really means, anyway.
Why, why can’t you say nothing? Say any word–but that one, ’cause you don’t really mean it. Nobody does. Say anything, apart from Love.
For my own sake I should have been much more careful. Now–even in her absence–I find myself in her hands, which feels strange to me. I am surrounded–and at the same time, isolated. I am alone. I am apart from Love.
Targeted Age Group: 16 and up
Book Price: 0.99
Link To Buy Bargain Book
How is Writing In Your Genre Different from Others?
This is a question I often ask myself. What I do is just the opposite of branding, perhaps because I find ways to surprise myself. So my books cannot easily be classified in the narrow confines of a particular genre, because life as we know it–and my art, which mirrors it– constantly changes from one genre to the next. One moment is is humorous; the next, it is erotic; then, it might be a tragedy.
Consider my books: Rise to Power (historical fiction), A Peek at Bathsheba (historical romance) A Favorite Son (biblical fiction), Apart From Love (contemporary fiction), Twisted (dark fantasy), Home (poetry) or Jess and Wiggle and Now I Am Paper (childrens’ books), they all come from the same pen. I love writing both poetry and prose. They look different on the page: the white space surrounding the letters, in my mind, is like the surface of an ocean. In poetry, it covers nearly all the page, allowing only the a few words to erupt over the surface, because a poem in essence is a burst of emotion. As you read it, you cannot see under the white surface–there is so much hidden underneath! It is an island. In prose, on the other hand, the writer dives into the undercurrents and explores the landscape sunk beneath the surface, so there are many connections being created and being understood by the reader.
My writing has often been called ‘lyrical’ by many of my reviewers on Goodreads and Amazon, perhaps because I treat each word with great care, and give thought to every sentence, every phrase, every comma. Similar to the rhythm and rhymes in poetry, I listen to the rhythms of our speech, so the characters in my prose will talk in the flow that reflects their feelings. So all in all, I use parallel techniques for both my poetry and prose.
I bring everything I have experienced, everything I have learned into my work. My art and my writing are two sides of the same coin, which you can easily realize when you see the cover images of my books, and when you read them.
The process of creativity is, for me, the same. It is a juxtaposition of ideas, a spark that creates an inspiration.
What Advice Would You Give Aspiring Writers?
My best advice to develop your writing–besides reading a lot–is this: read your story aloud in front of a live audience. Listen not only to their comments and suggestions, but more importantly–to their breathing pattern while the story is being read. Are they holding their breath at the right moment? Do they burst out laughing, or wipe a tear when you intended? If not, you must go back to the drawing board and adjust your sentences.
What Inspired You to Write Your Book?
Over a year ago I wrote a short story about a twelve years old boy coming face to face, for the first time in his life, with the sad spectacle of death in the family. The title of the story is Only An Empty Dress. In it, Ben watches his father trying to revive his frail grandma, and later he attempts the same technique on the fish tilting upside down in his new aquarium.
“I cannot allow myself to weep. No, not now. So I wipe the corner of my eye. Now if you watch closely, right here, you can see that the tail is still crinkling. I gasp, and blow again. I blow and blow, and with a last-gasp effort I go on blowing until all is lost, until I don’t care anymore, I mean it, I don’t care but the tears, the tears come, they are starting to flow, and there is nothing, nothing more I can do—”
I set the story aside, thinking I was done with it. But the character of the boy, Ben, came back to me and started chatting, chatting, chatting in my head. It became the seed of my just-published novel Apart from Love.
In writing it I asked myself, what if I ‘aged’ him by fifteen years? Where would he be then? Would he still admire his father as a hero, or will he be disillusioned at that point? What secrets would come to light in the life of this family? How would it feel for Ben to come back to his childhood home, and have his memories play tricks on him? What if I introduce a girl, Anita, a redhead who looks as beautiful as his mother used to be, but is extremely different from her in all other respects? And what if this girl were married to his father? What if the father were an author, attempting to capture the thoughts, the voices of Ben and Anita, in order to write his book?
So the process of writing became, for me, simply listening to the characters and trying, as fast as I could, to capture their thoughts. My role as an author was merely suggesting a place, coming up with the stage set and illuminating it as appropriate for the time of day, and allowing the characters to describe what they see and to act out their passions and fears.
About the Author:
Uvi Poznansky is a California-based author, poet and artist. Her writing and her art are tightly coupled. “I paint with my pen,” she says, “and write with my paintbrush.”
She earned her B. A. in Architecture and Town Planning from the Technion in Haifa, Israel. During her studies and in the years immediately following her graduation, she practiced with an innovative Architectural firm, taking part in the design of a large-scale project, Home for the Soldier.
At the age of 25 Uvi moved to Troy, N.Y. with her husband and two children. Before long, she received a Fellowship grant and a Teaching Assistantship from the Architecture department at Rensselaer Polytechnic Institute, where she guided teams in a variety of design projects; and where she earned her M.A. in Architecture. Then, taking a sharp turn in her education, she earned her M.S. degree in Computer Science from the University of Michigan.
During the years she spent in advancing her career—first as an architect, and later as a software engineer, software team leader, software manager and a software consultant (with an emphasis on user interface for medical instruments devices)—she wrote and painted constantly. In addition, she taught art appreciation classes.
Her versatile body of work can be seen on her website, which includes poem, short stories, bronze and ceramic sculptures, paper engineering projects, oil and watercolor paintings, charcoal, pen and pencil drawings, and mixed media. In addition, she posts her thoughts about the creative process on her blog, and engages readers and writers in conversation on her Goodreads Q&A group.
Uvi published a poetry book in collaboration with her father, Zeev Kachel. Later she published two children books, Jess and Wiggle and Now I Am Paper, which she illustrated, and for which she created animations. You can find these animations on her author page on Amazon, and her author page on Goodreads.
Apart From Love (published 2012) is an intimate peek into the life of a strange family: Natasha, the accomplished pianist, has been stricken with early-onset Alzheimer’s. Her ex-husband Lenny has never told their son Ben, who left home ten years ago, about her situation. At the same time he, Lenny, has been carrying on a love affair with a young redhead, who bears a striking physical resemblance to his wife—but unlike her, is uneducated, direct and unrefined. This is how things stand at this moment, the moment of Ben’s return to his childhood home, and to a contentious relationship with his father.
Home (published 2012), her deeply moving poetry book in tribute of her father, includes her poetry and prose, as well as translated poems from the pen of her father, the poet and author Zeev Kachel.
A Favorite Son (published 2012), her novella, is a new-age twist on an old yarn. It is inspired by the biblical story of Jacob and his mother Rebecca, plotting together against the elderly father Isaac, who is lying on his deathbed. This is no old fairy tale. Its power is here and now, in each one of us.
Twisted (published 2012) is a unique collection of tales. In it, the author brings together diverse tales, laden with shades of mystery. Here, you will come into a dark, strange world, a hyper-reality where nearly everything is firmly rooted in the familiar—except for some quirky detail that twists the yarn, and takes it for a spin in an unexpected direction.
Rise to Power is the story of David as you have never heard it before: from the king himself, telling the unofficial version, the one he never allowed his court scribes to recount. In his mind, history is written to praise the victorious—but at the last stretch of his illustrious life, he feels an irresistible urge to tell the truth.
These books are available in all three editions (audiobook, print and ebook.)